World of Writing, Interview
Today's guest is Beverley Golden
- Canadian writer,
raconteur, peacenik and self-professed guinea pig, who loves testing
unconventional ways to shift paradigms in the playing fields of health care,
storytelling and world peace. She courageously uncovers the humour in life’s crazy
situations, offering hope, while promoting inner wisdom through the written
word. “Trust your intuition even when no one else sees your point of view” is
her signature mantra.
Confessions of a
Middle-Aged Hippie, her first
book, bursts with anecdotes from her years in the entertainment industry,
coupled with her stories of survival from a life lived with health issues. Her
passion is turning the “impossible” into the possible and her often
thought-provoking observations can be found on the Huffington Post, among
others.
Q: As a child, what did you want to be when you grew up?
A: As a child, I was a very curious
and cerebral. I didn’t like getting dirty and was fascinated by words, asking a
lot of questions from a very early age. My mother tells me given the
opportunity; I would read to my kindergarten class or to anyone who would
listen. I observed the world around me and had a voracious imagination.
At one point when I was quite
young, I believe I wanted to be a teacher. Then the next memory is that I
wanted to be rich and famous. That’s what happens when you’re an air sign with
five other planets in air. Lofty ideals and dreams. J
Q: What makes a good story?
A: To me, a good story is one where
the reader feels they are part of the conversation or story. Where they are
drawn in and see themselves in what they are reading.
That’s the style of writing
people tell me I have developed, that of a conversational storyteller. My goal
is to stimulate ideas and inspire conversations, and to get others to start
asking questions of themselves and then to take those conversations out into
the world.
Ultimately we all have the power
to contribute to making positive changes in the world, just through this simple
act of asking questions that lead to taking action. I honestly believe that we
all have unique and fascinating stories to share.
Q: What makes you write in certain genres?
A: With all my writing so far, I
have chosen to stay with non-fiction, although in my first book I’m told that
having a fictional interviewer talking with the real me, is quite a first for a
memoir.
Non-fiction feels closest to home
for me, as I can draw on my own personal experiences and then do some
observation and research of what is current in our culture, to meld the two
together, offering an invitation to the reader to start a conversation. Most of my writing these days is shorter
articles that are shared online on various sites.
Q: Do you insert your own characteristics in your writing?
A: Interesting question, as I also
started writing a young adult book, a book that is theoretically a fiction
book, yet the female protagonist and her mother have many of the traits that I
see in myself. Traits that I stand for
in the world.
I’ve read that the best way to
write is to “write what you know” and although this seems the most accessible
and natural way to write, I’ve also tackled a project about golf and life.
Although I know about life, I’ve never played golf and am finding that “writing
what you don’t know”, can be equally
exhilarating. This book has my co-collaborator as the protagonist, as it is his
story. It reads like fiction, yet is based on what he knows and what I don’t
know, if that makes sense.
Q: What are your favorite publicity activities?
A: Because I love having
conversations, I would have to say so far, number one is having radio
conversations. There are such a wide
variety of people hosting interesting platforms and it seems there is room to
have conversations about topics that interest and resonate with us all.
I’ve done everything from a
Christian radio show to talk about monogamy, to a business show where the
discussion took a U-turn when the host and I realized we had both transformed
similar health challenges in our lives. Love the synchronicity of how that
happens!
Q: Who are your favorite authors/poets?
A: One of my favourite authors is
Steven Pressfield. Mainly his non-fiction books. I can only encourage anyone
who is creating or wanting to create something meaningful out in the world
(which means everyone), to read Steven’s outstanding book, The War of Art. Simply
brilliant and once you read it, you will understand why. His follow-up books to
The War of Art, are equally
incredible reads.
I’ve also enjoyed reading Seth
Godin, especially Tribes, although
all his writing strikes a chord and resonates for me.
Q: What is
your most embarrassing writer moment?
A: This would have to relate to an article I wrote about
finding your authentic swing in golf and in life. I included a quote from
Steven Pressfield’s golf classic The
Legend of Baggar Vance and when I sent the piece to Steven to read, he
quickly sent me a very lovely and supportive note, letting me know that this
quote did not actually appear in the
book, but was only in the movie, whose screenplay was written by another
writer, not him. Yikes! Talk
about embarrassing, however, he was very gentle and I learned a great lesson,
which he offered to me about double and triple checking sources - a key to
maintaining your integrity as a writer.
Q: What is your writer's life philosophy?
A: This is a great one for me to end on. When people ask about process, I am happy to
say that my process has to do with trusting having no describable process.
Inspiration and trusting the muse are very important to me as a writer.
Sometimes I wonder when the inspiration will strike again,
and when it does, it always surprises and enlivens me. When the words, and
sometimes seemingly unconnected ideas flow, I acknowledge that I’m writing from
a place of pure creativity, and have gotten out of my own way to let something
magical happen.
I’ve learned to go with what works for me as an individual,
something I would encourage all writers and creative people to do. Find what
works for you and trust it!
Find Dave and Lillian Brummet, excerpts
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